
Today I pulled fabrics and cut for a baby quilt for the new daughter of a friend. This is the Whirlwind block. It was getting dark by the time I took the photos, but the fabrics are a pretty blush pink.
This speaks to the state of my stash. Since I’ve worked so hard to reduce it, I assumed I needed to buy fabric for this quilt. After all, this mother has a certain color and a certain aesthetic. I thought I could pull fabrics from stash to piece the top, but was sure I needed to order the back. (I chose one of the Michael Miller “Magic” fabrics.) When went into my small, dark closet, removed all the fabrics from the Pink drawer, and brought them out into the light, I found I had plenty to choose from, even for the back. Sigh. I’ll probably make a similar quilt for my Etsy shop while I’m cutting.
I like keeping my fabrics in the closet where they’re protected from fading. I’ve invested over the years in a nice metal basket system where I can separate the colors. I don’t have anywhere else to keep it, but I do wish it were easier to see what I have on hand. Ah, well.

Also, I finished cutting all the scrap fabric for Surrounded by Scraps, Charlotte Hawks mystery quilt for this year. I have lots of background to cut yet, but I just ordered it.
I’m linking up to Design Wall Monday at Patchwork Times.







Today I finished a pretty little baby quilt for a new little cousin. Â It was inspired by the color of her room.
I know you’ve seen this design before (a few times!), but I wanted to keep the pieces large to show the ribbon print fabric, so here it is in living color.  I also used a piece of the new Grunge collection, which perfectly bridges the spectrum between lavender and orchid.  The light fabrics are hard to see here, but they are dots and chevrons on cream.
The backing is an irridescent  damask in a beautiful lavender.
I quilted this with variegated Poly Quilter from Superior. Â It was the perfect colors, but I have never been able to get it to sew in my machine before (I think it’s 30 wt.). Â Maybe it was the recent tune-up, but I had little problem this time. Â The big size 100 needle punched visible holes in the back, but they closed up when I washed it.
Now I have to break it to Krissi that we’re sending “her” quilt away. Â She’s pretty attached.
This week I began climbing the stairs up to my studio and sitting at the machine for half an hour or so at a time. Â My knee is not pleased to be bent that long, much less push on the foot pedal, so I have to take breaks and walk around to stretch it out.
And yet, I can’t see any reduction in my strings…
My Bernina machine has been away at the spa while I was healing (getting her back today!), so I used this one instead. Â This is SueAnn, a White, from the ’30s, I’m guessing? Â Help me out if you know.
I had a moment of panic when I went to thread her, but I just went ahead and let muscle memory take over, which seemed to work. Â It’s not much different from a modern machine, but on the end instead of the front, and the bobbin and needle are turned sideways as well.
I have put the feet away somewhere, a very safe place, Jaye suggests, and I still can’t find them. Â I used this walking foot, and, really, it wasn’t a bad choice for stitching the strings to a muslin background. Â I like the way this machine purrs along. Â In my dream studio I’d keep it set up in a cabinet.
Technically, Yuri and I didn’t finish this quilt until today, but I’m counting it on this Stash anyway. This will be the last report I’ll write for a while, because of my knee surgery, so I want to include this.
This is a
It was fun to revisit some of the fabrics in here. There are bits of peacock fabric from the 2008 Hoffman Challenge, and some from my nephew’s ocean-themed graduation quilt.
This quilt is 62″ x 84″ (or it was before washing!). It used about 9.25 yards of fabric.
We’re linking up to the
A few months back the Twilters, of Twitter and Facebook fame, exchanged blocks in honor of our friend Frances O’Roark Dowell’s new novel,
There was a question recently about whether we quilt in the ditch between patches. Â It depends, but I certainly did on this one! Â I used my walking foot and worked my way across both diagonals, then vertically and horizontally until all the “birds” were outlined. Â I also created some “faux birds” where I wanted them in some of the white areas.
Then I switched to my free-motion foot to work inside all of the triangles. Â The colorful birds got a curve on all three sides (orange peel?), while the background triangles got a figure eight design. Â It was my first time using this, so they were mostly figure eights, with the occasional one that turned out more like ribbon candy!
I bound this with strips left from the blocks I sent and some of the left over binding from the 


This week I didn’t buy any fabric, and I did use a little. Â The fall wall hangings to0k a yard and a half, and I used a quarter yard for tying up the peppers in the garden.