Evening in the Garden Quilts

Adventures in Fabric Art


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Rail Fence Finishes

 

 

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Something clicked when Amanda Jean suggested this Scrap Basket Quilt Along.  I have been whittling away at my stash, and this seemed like a fun way to use a lot of fabric.  Boy’s quilts are especially needed, which caused me to think of the lonely pile of cowboy fabric scraps from Guthrie, OK, that has been waiting a long while to be used.  When I dug it out, I found a pile of plaid scraps left from a graduation quilt (circa 2000).  Okay, so a fun way to make two quilts.

 

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The cowboy fabric was red, light, and blue, so it ended up like this.

 

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I used up every smidge, including on the back, where I also added some orphan blocks, a solid, and a starry fabric.  Perfect for a little cowboy to sleep under.

 

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To quilt it, I first stitched in the ditch between all the blocks (per this post).  I liked Amanda’s approach to the quilting (she stitched a trio of wavy lines down every column and across every row), but I wanted to change it up, so mine are twirling ropes and strands of barbed wire.  Ouch!  I alternated rows to leave blank areas.

 

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I put hats on some. (Here’s the brown chalk stripe binding.)

 

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And boots on others.  I’m pretty happy with the results.  Bottom Line on the bottom, Masterpiece on top.

 

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I quickly decided to add khaki Kona to the plaids.  I did that to provide a place for the eye to rest, but it turned out to be a good idea structure-wise.  These woven plaids are very stretchy, and the solid really stabilized the whole top.  By the way, fabrics from long ago were a few inches wider than today’s.  I cut six sets of 6 1/2″ blocks from every set of sewn fabric strips, often with a bit left over to make into a block for the back.

 

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I also used up included an unusual … mosquito? print fabric, also left from a graduation quilt of the same era.

 

 

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This time I thought I would use the wavy lines, but just down and across the centers of the blocks, and really large.  And, after I found my rhythm, I was really pleased with the way I free-motioned these with no marking.

 

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The problem came when I turned the quilt and went across the original waves.  It formed these nesting, 3/4 circle things.  Actually, it makes giant puzzle pieces between/across the blocks.  I’m not sure I like it.  I looks vaguely like the quilting on a motel bedspread.

 

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But, it’s very even, and, with the quilting between blocks, holds the quilt together very well.  I used Superior’s Living Colors poly on top.  I bound it with the last (reasonably stable) bit of plaid.

 

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So, all and all, a fun couple of weeks and some learning, in the name of a good cause.  See the rest of these Rail Fences at Amanda’s Scrap Basket Quilt Along over at Crazy Mom Quilts.


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Beach Quilt VI

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This week I finished Beach Quilt VI.  See the other Beach Quilts or links here, if you care.  This wasn’t on my list for this month, but the last one sold quickly, and I was dying to use up these scraps.  And I have just about done that.  I’ll have to go in a different direction with the next one.

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I expected to frame the scrap blocks with aqua and khaki solids, but that didn’t work, and I like the low-volume results from these fabrics.  I might like this better than the last one, but I’m not sure.

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The quilting is all free-motion “waves” in Superior’s Living Colors (507) with very little marking.  I think this kind of linear quilting is much harder than working on one area of the quilt at a time.  I studied the quilt for a while, wondering if I would like some kind of motif in each block, but I really like the wave effect, so I bit the bullet.  Every time I reposition my hands, there is the risk of a weird stitch that spoils the smooth lines.  The harder I tried to hold the quilt still as I started up, the worse it was.  I found if I kept my hands lightly on the quilt, or lifted them completely, it worked better.  Good practice, and it turned out well.

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We talked some on Twitter about whether it is necessary to stitch in the ditch to stabilize the quilt before doing more elaborate quilting.  I almost always do.  I started years ago with Harriet Hargrave’s Heirloom Machine Quilting (1995!),  and she told me to stitch between all the blocks first, so I do.  I really think that first, “behind the scenes” quilting gives the quilt structure and allows me to focus on the quilting design without worrying about shifting or wrinkles.  Had I not done this first,  I’m pretty sure this diagonal quilting would have stretched and wonked this quilt into a mess.  I use fine thread that really disappears into the ditch, usually Superior’s Bottom Line (50 wt.).  I guess this is similar to Aurifil’s 50 wt.?  I use my walking foot.  On this one, I went back and free-motioned in the ditch in the corners inside the frames where the wave stitching didn’t catch them.  All this “structural quilting” enabled me to make it look like the only quilting was the widely space groups of waves in the showy thread, yet it’s still all tidy and tight.

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I’ve also used water-soluble thread when I didn’t want to spoil a secondary design with stitches between the blocks.  I did that on Disappearing Pinwheels.  It controlled the puffiness while I quilted, and then didn’t break up those diamonds after it washed out.

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Krissi assisted with this photo shoot.  We’re linking up to Finish It Up Friday at Crazy Mom Quilts.

 


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Beach Quilt V

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This week I made the latest in the Beach Quilt series.  This might be my favorite one yet.  The fabrics are like sand and sea glass, and the top went together effortlessly, as the warm early summer breezes blew in.

 

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I always change up the stitching a little.  This time I tried using free motion to quilt the wavy lines.  They are not as even as the ones I do with the walking foot, but it was much easier on my shoulders not moving the quilt around as much.  I did all the stitching in Superior’s Living Colors poly thread, with aqua Bottom Line on the back.  It looks like metalic gold, but it is just a golden color, 506.  The backing is a beautiful awning stripe.

 

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What did you finish this week?

 

I’m linking up with Finish it up Friday at Crazy Mom Quilts.

 


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Floral!

 

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Yuri is delighted with this latest finish, and so am I.  You can have your tiny calico prints.  These are my florals!

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This quilt is 54″ x 72″, 48 nine-inch blocks, so of course it pieced up in no time.  It’s related to this quilt from last year.  That has solid gray for relief, this does not.  Some people find it to be too much pattern.  I wouldn’t dress like this or anything, but it’s making my happy.  It was not windy for these photos; Yuri is behind the quilt, pushing out the bottom.

 

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Technically it holds together.  Mostly florals, good variety of scale.  Similar colors, but not completely matchy.  I love how the orange trucks and barns pop on the Madrona Road fabric.  Good value change.

 

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Without the cat, the quilting shows up well in this late evening light.  I added a second layer of batting under the light, feather quilted areas (Warm and White).  The feathers are done in a peach Living Colors, and the straight lines are old rose Bottom Line, both Superior.  The quilting took much longer than the piecing.

 

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I like this photo because it shows how much greener everything is than my last finish.  Finally!

 

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Lastly, I did take this photo of one of my Oriole friends.  They are a lot of fun to watch, but hard to catch with the camera.

Hope you are enjoying spring and having some finishes.  I’m linking up to Finish It Up Friday and Whoop Whoop Friday.

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Beach Quilt Finished

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I finished another in the continuing series of beach-themed quilts.  It began in 2010 when I made this quilt for a sick friend, all from stash, I think.  It turned out nicely and was appreciated.  I think the busyness is contained by the dark inner border.  Then, in 2012, I used some of the leftover fabrics plus lots of khaki Kona to make this one.  Obviously, it didn’t use much of the beachy fabric, so I continued.  Last July I made this quilt.  It turned out well, but was a process.  Follow the link in that post to see how I cut lots of squares and then ended up editing about half of them.  So today’s quilt uses many of those edited pieces.

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The quilting is with a brown variegated thread from Coats and Clarks and a blue/green variegated Lava from Superior.

 

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The back is so subtle it doesn’t show in the photos, but it is antique postcards in lovely cream and pale blue tones.

And, never fear, if you don’t like this one, I have scraps left for at least one more!

 

 

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I’m linking up with Finish It Up Friday at Crazy Mom Quilts.

 

 


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Another String Finish

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Lately, it seems as though all I do is show you finishes.  One day soon, I hope to have some more interesting content, but I haven’t had much energy lately, and it seems like all I can do to post occasionally about what I’m making.  So many of you are more inspirational!  I’ll try to get back there.

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I had fun setting and quilting my favorite string blocks in a new way.  The gray is Kona Ash.  The thread is Coats and Clarks, an older spool that was the perfect colors.  It worked out well that I have this to add to my Etsy shop, because a few days ago I sold the aqua and gray chevron quilt that I had there.  It went to Denmark, which seems fun.  My quilts have been so many places I haven’t yet!

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I’m pretty happy with the way it turned out.  The quilting could be more defined. (I think it’s better in person than in these photos.)  What if I had had the patience to use decorative stitches in the solid areas?  Hmmm.

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Hope you’ve had some good finishes lately.  I’m linking up with Finish It Up Friday, at Crazy Mom Quilts.

 


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Construction Related Finishes

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This week I finished this twin-sized quilt in colors I love.  It began with the scraps from one of the Construction Baby Quilts, supplemented with squares from my 3 1/2″ bin.  Then I added a bit from yardage to fill it out and have enough for the diagonal effect.  I’m very happy with the result.

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To my surprise, when I searched for backing fabric, I found a print on gray from the same line as the original fabric (“Under Construction” by Kanvas Color), and on sale!

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The quilting is in the ditch between every square, and then some diagonals across the quilt.  Yes, there is a bit of Mirror Ball Dot!

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Also, I found the perfect fabric for binding in my stash, orange with yellow stripes.  This reminds me that I’ve wanted to mention when I solve my quilt design problems:  as I go to sleep at night!  In this case, I planned to bind the quilt in a solid orange, but it was getting dark in my studio, so I thought I would wait for morning to choose the right fabric.  Then, as I was falling asleep, I remembered the perfect fabric for the binding.  Extraordinarily bright, I had passed it up many times on other projects.  Now, was it in the Orange drawer or the Stripes drawer?  The Orange, I thought.  And, in the morning, there it was!  Often when I find myself at a crossroads on a quilt (or a brick wall), I consciously think about it as I fall asleep.  More often than not, answers become clear to me, and they are usually the ones that make it into the quilts.  When do you do your best design work?

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Here’s my finish from last week.  The red, white, and black construction baby quilt caught the attention of a customer on Etsy, who special ordered one in solid navy.  It did turn out very nautical, didn’t it?  I quilted it all over with navy Bottom Line.  That meant that the thin dark thread also went over areas of red, white, and light blue.  I thought for a while about the thread color.  Other than possibly using smoke Monopoly, I couldn’t come up with anything I liked better.  I’m very happy with the way it came out, so I guess navy was fine.

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With all that navy, I had to be very diligent with a lint roller and careful to keep it away from everything until I could get it safely packaged to mail.  Whew!

 

See more finishes at Finish It Up Friday at Crazy Mom Quilts.

 

 

 


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Pillow Covers

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I finished up these four pillow covers Monday (two of each).  The tops are made from a great vintage tablecloth.  I don’t have any idea of the age, maybe 1960’s?  Help me out if you know.

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It was in nearly perfect shape, except for a permanent stain near the center.  This allowed my to cut four 18″ tops from the four corners, two of each design.

Without any flaws or thin spots, I didn’t stabilize it with anything, I just treated it like new home dec fabric.

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I layered the tops with cotton batting and white cotton fabric, and did a little curvy quilting on each with variegated pink Sulky rayon.

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The backs are a gray Kona, envelope style with a single dot of Velcro to keep them closed.  I machine bound them with Carnation pink Kona.  These are listed in my Etsy shop, but if they don’t sell soon, they may end of on my sofa!

Hope you are making progress on your projects.

I’m linking up with WIP Wednesday at Freshly Pieced.


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Chevron Strings Finished

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Late last week I finished up my baby-sized string quilt.  Then one day I dashed out between the snow and the sleet to take a few pictures.

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The blocks are 9 inches, pieced on paper.  The sherbet colors are all strings from my bins, but the cream floral was yardage.  It was a good use for  an older piece of fabric, and I had just enough.

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This was inspired by the batik backing I had left over from Disappearing Pinwheels.

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I stitched between all the blocks with the walking foot.  Then I flipped it over and quilted all the dragonflies, using white Sulky rayon in the bobbin. (Well, I skipped the side-view dragonflies, because I found they didn’t look like anything identifiable from the front.)  The Sulky isn’t very heavy, so the design on the front is subtle, but I like it that way.  It’s there if you look for it.

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I used a green with a variegated stripe for the binding.  No new techniques this time, except for a different layout for the string blocks.

Hope you are enjoying the satisfaction of finishing things this week.

I’m linking up with TGIFF and Whoop Whoop Friday.  (Please DO NOT go over to Confessions of a Fabric Addict, because *I* want to win her great giveaway!)

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Constructing Some Baby Quilts

Between Christmas and New Years I found three pieces of great kids’ construction fabric on deep sale at eQuilter, and I couldn’t resist.  I kept the patchwork to a minimum so I wouldn’t spoil these wonderful prints.

Here’s one:

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The very orange accent quilting was with Superior’s New Brites (30wt.)

And this is the other:

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The new thing I learned to do on these was to make a binding with a flange, all one piece, finished by machine.  It was easy to do, and I love the effect.  It took about twice as long as a regular binding, but was a lot quicker than finishing by hand (as if I do that!).  I thought these simple quilts could use the extra detail.  I lost the link that was shared on Twitter, but here’s one very similar.   Nadine of DreamWeavers Quilts shared a link to a tutorial at Fresh Off the Frame.  I cut my accent strip 1 3/4″ wide.   I also had better results trimming the seam allowance after I joined the two colors together.  It pressed and handled better for me.  By the second one I felt like a pro.  I’ll definitely use this again.

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I had a lot of fun with these two little quilts.  They’re for sale in my Etsy shop.

Hope you’re enjoying your finishes!  I’m linking up to TGIFF.

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