Yes! More than a year in the making, I’m very pleased that Scrappy Stars Around the Corner is finished. And I’m pleased with the result. There were moments, as I pushed and pulled the #bigheavyquilt through my machine, when I was afraid that it would be a wonky, stretched-out mess. However, the magic of the washer and dryer put everything back where it should be, and it’s not bad at all.
This carton of eggs from my farmers’ market was the inspiration for the color scheme. I knew I would add some darks for contrast, and then I found the turquoise and gray scraps from a project, so it morphed a bit. I originally thought of it for the master bedroom, and giving it borders, but it ended up not matching. Then I let it sit while I tried to decide what to do about it. I finally decided to finish it up for a gift or to donate.
The back is pieced from four gray and gold fabrics.
This top lay much flatter than Scrap in a Box from the previous year, so perhaps my triangle piecing improved? However, when I went to run quilting lines through it, I discovered problems with my sashing. Next time, I will mark centers (at least) on my sashing strips so that everything lines up better.
And it’s passed its snuggle test, so I guess all is well!
I’m linking up to Whoop Whoop Friday and Finish it up Friday.




I took advantage of the Australia Day Sew In yesterday to finish up the second of the elephant baby quilts. Then I washed them both up for photos.
The batting is Warm and Plush. It really is nice and plush-y, and fine for quilting. One drawback is that it shrinks more than the regular Warm battings. I put minimal quilting in the version of Pink Pinwheels that I made for Etsy, and it shrank two inches in each direction, which wasn’t a problem, since it was a little large anyway. I made an effort to add more quilting to these two (roughly every inch or two inches), and it shrank 1.5 inches in each direction (on a 36″ x 42″ quilt). It is nice and poofy, just be aware.
The binding is the last of a Riley Blake one inch charcoal stripe.
Thank you for all the encouragement. These are really fun fabrics, and the aqua ones have been in my stash for a while, so I was glad to use them. These are in my 
















Today I finished a pretty little baby quilt for a new little cousin. It was inspired by the color of her room.
I know you’ve seen this design before (a few times!), but I wanted to keep the pieces large to show the ribbon print fabric, so here it is in living color. I also used a piece of the new Grunge collection, which perfectly bridges the spectrum between lavender and orchid. The light fabrics are hard to see here, but they are dots and chevrons on cream.
The backing is an irridescent damask in a beautiful lavender.
I quilted this with variegated Poly Quilter from Superior. It was the perfect colors, but I have never been able to get it to sew in my machine before (I think it’s 30 wt.). Maybe it was the recent tune-up, but I had little problem this time. The big size 100 needle punched visible holes in the back, but they closed up when I washed it.
Now I have to break it to Krissi that we’re sending “her” quilt away. She’s pretty attached.
This week I began climbing the stairs up to my studio and sitting at the machine for half an hour or so at a time. My knee is not pleased to be bent that long, much less push on the foot pedal, so I have to take breaks and walk around to stretch it out.
And yet, I can’t see any reduction in my strings…
My Bernina machine has been away at the spa while I was healing (getting her back today!), so I used this one instead. This is SueAnn, a White, from the ’30s, I’m guessing? Help me out if you know.
I had a moment of panic when I went to thread her, but I just went ahead and let muscle memory take over, which seemed to work. It’s not much different from a modern machine, but on the end instead of the front, and the bobbin and needle are turned sideways as well.
I have put the feet away somewhere, a very safe place, Jaye suggests, and I still can’t find them. I used this walking foot, and, really, it wasn’t a bad choice for stitching the strings to a muslin background. I like the way this machine purrs along. In my dream studio I’d keep it set up in a cabinet.